The Old Factory Award: Behind-the-Scenes

The Old Factory Award has been published by the wonderful Abyss and Apex magazine who have described it as 'One of the most unusual pieces we've ever featured.'

Suffice to say that I'm really pleased with it.

So I thought I'd write about how it came about.

Let's start by saying that I'm really glad that Abyss and Apex published it now in October, when the weather turns to cold and rain because it really feels (to me, anyway) like a Winter story. If it had a colour it would be red, like carpets and wine and dying leaves.

The story first came to me a couple of years ago as a feeling. I had a 10 minute walk between the tube and my house then by a not-too-busy road with plenty of trees and a wide-open park.The whole pavement was strewn with leaves and the grass in the park would be silver. I'd walk with my hands in my pockets and my hood up and I'd retreat into a little warm burrow not just in my coat but in my head as well.

There are particular stories we like to read in Winter, there are myths and tales born from gathering close around a campfire to keep warm, ghost stories and fairy tales. They're very close and intimate stories with no huge cast or epic battles, they're stories that happen behind doors, not in front of them and the only sense we have of them is as people passing by and seeing the warmth and light spilling onto the street.

I wanted to write that kind of story, something that had a warmth and a happy feeling, a celebration of something and a feeling of an intimate event behind closed doors that hardly anyone knew of.

A friend, Conrad Mason (The Demon's Watch out in 2012), said it reminded him a little of American Gods and I'd agree with him. There's a vein of Neil Gaiman stories that aim for this same space (October in the Chair leaps to mind).

So as I walked that walk twice a day an idea began to form around that feeling.

There was a song I was listening to at the same time. I was very into Elbow then (I still am) and was listening to The Seldom Seen Kid almost daily. Now there's an entire album that feels like it's also that same rich red (in fact look at the colour of the album cover). And there's a song in there different from all the rest called The Fix which seems to be about a party in which some grand, mysterious master plan has just fallen into place and made everyone very rich. It's brilliant. You can see it in your head; plush cushions, drapes and gauze, low lamps and feather-trimmed masquerade masks.

Here it is.

  

So of course my story began to swirl around an equally mysterious and lavish party with dancing and laughter and extravagant figures. And so the story took shape and I had to begin writing it because an idea only gets you so far.

Now I should tell you that something else was happening in my life around that time. I'd met a girl.

We'd only been going out a few months but I was increasingly falling in love with her. She'd fallen for me because of my writing a story called Promises (appearing next year in Something Wicked) that I'd sent to her and a number of others for feedback. We'd flirted a while and then, courage bucked up, she asked me out.

I wanted to write something for her, something for a Christmas present. Cats deliver dead birds, some men deliver dead stags or briefcases of money or cars or jewellery. I wrote a story with a bit of that same sentimental heart that Promises had. It was a story I knew she'd like, was cheaper (I'm a writer) than all those other things other men get but ultimately gets me to the same place. (Yes, that place).

Details came to me as I wrote the story, little tricks and turns and characters and after a couple of weeks the story was finished. It didn't come out exactly as I'd imagined. There wasn't as much of the warmth and sentimentality I'd wanted it to. It came out a bit urban and, in a few places, a little bit dark and modern. That's entirely my fault, part of me knows that life doesn't work out how you always want it and reality creeps in wherever it can. A party will always need organising, technology will creep in if you set it in today no matter how much of a fairy take you want to write.

She loved it. And I got there. And I'm still there today.

I think A&A are right in calling it unusual. It's certainly the weirdest story I've written it. In some ways I worried it would never be published because it was too unusual. It's mostly description, hardly any dialogue and there's not a massive amount of drama. From another, bigger author it might have had a better time, I thought. It seems people are more accepting of different if you've already made a name of yourself but from a newbie? Probably not.

But here it is! A&A took it. And published it. And now anyone can read it. I can only hope they enjoy it.

Promises finds a home

This month's update has actually some information to update about!

In the middle of last week, Joe Vaz and his magazine Something Wicked accepted my short story Promises for publication. Hurray! Anyone following this blog will know that Promises has been out in the cold for quite some time. In fact it has been rejected 17 times (for various reasons from it being too long to 'not being the right fit for the magazine').

But that doesn't mean it wasn't liked by many of them. Here's what magazines have had to say about it thus far:

"The writing...is very strong" - Pseudopod

"Good writing" - The Opinion Guy's Speculative Fiction

"We loved this story. It's melodramatic, romantic, affecting and well-written" - Murky Depths


"An exquisite piece of writing" - Something Wicked


So now it has a home at Something Wicked which has already featured several award-winning authors including Arthur C Clarke Award winner Lauren Beukes, Sarah Lotz and Abigail Godsell. Promises should be appearing late this year or early next year. (I will be asking for early next year for reasons I shall go into another time).


As I have probably said before, my short stories serve a purpose. They are great exercises that increase my skills in writing and plotting, they're a great way to experience that feeling of victory which is especially important during the long hard slog of writing my trilogy, they're great fun to do and some of them bring in some pocket money, which is more than welcome. But the most important, I feel, is that they are steps toward my goal of becoming a full-time writer. All of my writing credits will be going on the covering letter for when I finally send off the novels to an agent and should help me stand head and shoulders above all the hundreds of other hopefuls they no doubt receive every month.


As an update here are my writing credits so far:


Contract                                        Twisted Tongue Magazine


No Longer Living                          RevolutionSF
                                                      Reprinted in Tales of the Zombie War


Kids                                              Electric Spec
                                                      To be reprinted in Bete Noire Magazine (Autumn 2011)


The Old Factory Award                Abyss & Apex Magazine (Winter 2011)


Promises                                       Something Wicked (Winter 2011 / Spring 2012)


Should look pretty good on a covering letter, I think. It shows I'm serious about writing, am not without talent and (hopefully) worth investing time and money in!


In other news the novels are progressing well. I cut out an entire 20 pages this week. 20 pages that were born of desperation and word count padding but are now no longer needed; a little stitching and it'll be like they were never there. An author once said if you can takes something out of a story without having to do much of a rewrite then it should never have been there in the first place. This was definitely the case.


Though my count is now inaccurate with things needing to be revisited and entire chunks being lifted out, I am now 49% through my current stage of editing.


Now, on to things I have read. This will be quite a short list for reasons that will soon become apparent.


The Accident - This is without a doubt the best Linwood Barclay I have read. The characters are good, the pacing is great and the way he threads the themes through the story is masterly. Well done to him for this.


A Red Herring Without Mustard - I have talked on Alan Bradley before. The main character Flavia De Luce is a very well realised character who jumps out of the page. The author is a man of mature years and I think it shows in her personality. She is a wish-fulfillment character, intelligent, precocious, curious everything a man would want to see in a granddaughter. He gets all the fun because he only has to see her seldom, the rest of us have to put up with here all day every day and a good slap around the face would do this girl wonders.


Double Indemnity - one of the few instances where the film is better than the book. There was a radio play called Double Jeopardy a few months ago (based on the true story) where Raymond Chandler is contacted by Billy Wilder to help him with the script for the film. At one point they describe James M. Cain's dialogue as terrible. They weren't wrong. Some of the stuff the characters say don't sound like they're coming out of a human mouth.

A Dance With Dragons - the big one. Most of this month has been spent reading this monolith. It's very well written but I won't have a proper opinion on the story until I've finished reading it.


So that's all for now.


As usual, thanks for reading.

Backwards Writing More No

As the title suggests I am no longer working backwards through the novel.

It was a great exercise and meant that the energy I have working on the beginning of the novel was this time applied to the end of it but there comes a point in the middle where it's just the same as the old-fashioned method. So now I'm back to writing it from the front as nature intended.

There are fewer things I'd like to change about the beginning so progress is going rather quickly and I'm still hoping to have things finished by the New Year.

Other than that, things are moving along. Me and the Electric Spec editors have finished going over Kids and it should be ready for publication on 30th November. You lucky things!

Magazines have practically been queuing up to reject Promises at the moment but I think it's one of my best stories so I'm persevering with it. I think it's the length that puts people off, a problem I'm all too used to (snigger).

I've also added the facility for comments on this blog (at least I think I have) so do get in touch if you feel the urge to do so. I've read a few blogs in my time that get rather whiny if people don't comment but I'm not one of them, so comments are not compulsory.

And for a little added fun I shall also include what I am currently reading each month. So today I am currently reading 15 Miles by Rob Scott as well as working my way through The Walking Dead comics, which I've read many times before but still enjoy. I'm loving the TV series at the moment and enjoy being surprised when they do something different from the comic just so long as they do That Thing At The End Of Issue 6. (Or was it 5?)

Anyway. Less blogging, Grey, more writing.

Thanks for reading.

The First Blog of the Year

I like that my blogger spell check has highlighted both 'blog' and 'blogger'.

Anyway, hello!

I haven't written a blog in a while and so now I am!

Things are well. Part Two was put aside a few days before New Year and I had the rest of the year, hell, the rest of the decade, off!

I have since been working on Part Three. There's been a read through with the general idea being that most of it needs to go. Parts One and Two are both so different to their originals now that Part Three (first written perhaps three years ago) is almost a completely separate entity, like Theo and co's exploits in a parallel universe. What wasn't totally different was simply deemed 'boring' so that has to go too.

So I have been planning and writing and planning more and writing more and so far the new draft stands at 38,000 words and is already so much stronger than its predecessor. Nice.

Murky Depths rejected Promises, which was a real shame. I was so sure that they were meant for one another. Editor, Terry Martin had this to say about it though: "We loved this story. It's melodramatic, romantic, affecting and well-written. I'd like to take it, but it just isn't right for Murky Depths, so I'm reluctantly passing."

Very nice but also a bit of a bummer. But hopefully the next magazine will have it.

Also, Electric Velocipede have turned away Kids, so that needs somewhere else to go as well. This means that I now have 52 rejections in my writing career.

On the 50th, me and some friends had drinks to celebrate as no writer worth his or her salt hasn't at some point been rejected a whole bunch of times.

Anyway, that's it from me for now.

Thanks for reading.

Schrodinger's Publication Date

Planning is great. Other than the Saturday, on which I was working on a very hard scene, writing has been smooth sailing. It's been one of those weeks where, after all the weeks of worrying and stressing, writing has just come easy and you know exactly why this is the kind of thing you want to do (hopefully) for the rest of your life.

I've been writing and changing scenes in accordance with the new plan, some things have changes (for the better I hope) as they have occurred to me but the rest is ticking along nicely. I might even have finished by the end of the month!

Short story front is quiet. Murky Depths turned down The Old Factory Award.

"It's a very clever piece of wordplay. However, we're going to pass on this as it doesn't seem like a Murky Depths piece to us. "

So there that is.

Revolution SF have still to publish No Longer Living but I'm being patient and don't really mind not knowing when it will be. It's a philosophy that borders on quantum physics, Schrodinger's Publication Date, it is not defined or measured simply by the act me looking. It just is, whether I know the date or not.

Promises and Earworm Turns are going to get a bit of an update so I can start sending them again. Just re-read them recently and think they could do with it just to make sure that they're the best stories they can be. That's the worry about sending stories, you always wonder if they're turning it away because of a gaping plot hole they didn't bother telling you about, poor writing, the fact that you're a nobody when they could be publishing somebodies or a mixture of all of the above and more. This is just my little precaution so I can tell myself "It's all them, Tiger, it's not you. It's all them."

Thanks for reading

All in the Planning

A long while since I blogged.

Househunting and subsequent moving kicked my ass but it feels worth it now. I have a wonderful view of Canary Wharf, the Gherkin and the London Eye from my bedroom window, which is nice. The room is smaller than my last but that doesn't really bother my, as long as I have room for my desk and laptop I'm happy.

I've spent the last while reading through the whole book and writing out notes for improving Part One. It's quite old and not up to my current standard but still pretty solid. I'm worried the whole thing might be like painting a bridge; once you've reached one end the other end needs doing again. I'll have to make sure that doesn't happen.

But I also made a few notes for the first half of Part Two and then I actually planned what needs to happen in the second half. I've never actually planned before and what I've done seems pretty good. Perhaps I should plan more often. During the actual writing I also came up with a keystone plotting idea that should hold the entire second half of the second act together, give it some authenticity. Good stuff.

On the short story front, Rev SF are still to publish No Longer Living, should be coming soon and Murky Depths are currently 'enjoying' (my word, not there's) The Old Factory Award. Here's hoping.

They have a great writing competition coming up with Mike Carey (legend). I was going to save Promises for it, a story I was sure would win it, but it turns out that Mike has written a story starter and we have to finish it. A bit disappointing but I might still enter and see what happens.

Thanks for reading.

Life has its way

House hunting is a pain.

Suffice to say that due to the stress of house hunting, being sick (I'm not sure if these two things were entirely disconnected) and recovering from those two things, I've done very little writing this week.

I suppose life just has its own way sometimes and you have to stand back and let it. Hopefully, when I get back into it, it'll be with a clearer head and some fresh perspective.

I didn't win this quarter's Writer of the Future competition but that's alright, I didn't reall expect to. But I've heard that Murky Depths will be having a writing competition in a few monthsy judged by Mike Carey, so I'm going to hold back Promises until then. I'm sure it's the winning story.

Kids didn't get taken by Escape Clause, though I was told that it was given serious consideration, which was nice. Other than that, things are ticking along nicely.

Thanks for reading.